Martin Sabon Sněhota studied New Media in the studio of Jiří Surůvka at the Faculty of Arts of the University of Ostrava. In the early years of his work he focused mainly on sound and kinetic works, but due to his stay on the islands of Zanzibar and Sri Lanka he returned to more traditional media. Martin Snehota's work has been defined from the outset by a fascination with modern production techniques and processes. The mechanisms, constructions and technologies used are not just the calculated, cold results of the artist's efforts, but are the result of the artist's thought constructs and long-term research into the current shape of the world, which affects not only our private lives, but also the whole of society. In his work, he uses a discovery and archaeological approach, in which he focuses on old industrial products and equipment that he finds in attics, basements, or even in garbage dumps and landfills. Each such find can be used as building material for a future object and, together with the artist's imagination, predetermines a new plot and the creation of a new artefact. A distinctive feature of his work is its monochromatic appearance, which in a larger exhibition unifies the exhibited works into a consistent spatial installation. Works created in this way can evoke objects from an alien world, technological gadgets or machines with unusual functions.